Category: Writing

Visual Transparency

Hi everyone!

Today’s topic is SMART Goals.

A brief definition of each objective and an example of how each objective can be applied to achieve an effective creative technical writing style.

Here, I am writing about visual transparency as it relates to an image I designed for Blocks, my first and ongoing social media management strategy. Blocks aims to explore left and right-brained thinking and our ability to control destiny (or in simpler terms, improve issues of self-image or esteem.) Note: Initially, I was going to include the image in this post, but the relevance of my imagery is too swift. I will always include my most recent works to keep you up-to-date with my current visual style and tone.

As an extra creative exercise, try to imagine a fruit to attach to each objective. How does it relate to the SMART goal and our definition of visual transparency? Could you affix these tasty symbols to a billboard? What would be the significance? How effective would say, a giant teal apple be at communicating a specific message?

I will post the fruits on my next post tomorrow!

BEGIN

HEADING: The heading is the text indicating the nature of the article below it. The large type front page headline did not come into use until the late 19th century when increased competition between newspapers led to the use of attention-getting headlines. (Wikipedia)

WILL IT ENTICE YOU IN A GLANCE?

SUBHEADING: For documents longer than 3 or 4 paragraphs, subheadings are an important usability and accessibility strategy to help readers both determine the overall outline of the document and to navigate to specific information on the page.

VISUAL TRANSPARENCY AS A COMMUNICATIONS STRATEGY

SPECIFIC: Goals that are specific have a significantly greater chance of being accomplished. It should be well-defined, clear, and unambiguous. Essentially a definition of your idea that allows your audience to understand your topic more accurately. (CFI)

Visual transparency, from an artist’s standpoint, is a form of contextual openness that allows viewers to become engaged on a more subconscious or subliminal level.

MEASURABLE: Goals that are measurable have criteria for measuring progress. Criteria can be in line with your vision, mission, values etc. The point is to measure your progress somehow, for example, how would you measure engagement or participation? Is the action itself significant enough? In writing, a statement of intent is a great way to achieve a sense of measurability. (CFI)

As a writer and digital specialist, the goal is to be transparent, accurate and responsible. As an artist, I simply want to be engaged with my work and for my viewers to participate. Note: professional transparency has more to do with how others perceive you and what your actions say about your brand.

ATTAINABLE: Goals that are attainable help you figure out ways you can realize an objective and work towards it. The achievability of the goal should be stretched to make you feel challenged, but defined well enough that you can actually achieve it. It would be a good time to insert your call to action here. (CFI)

With all of the outlets available, viewers can participate using whichever preferred medium they desire. And they don’t need to be 100% engaged for it to matter. For example, your interaction with a billboard might only last 5 seconds, so the argument could be that visual transparency is actually quite critical.

RELEVANT: Goals that are relevant must be realistic given the available resources and your timeline. What would be the innovative or mainstream approach? What are pertinent examples you can showcase? What will be the outcome? Ideal or realistic? Your exploration should be relevant to your life’s or work’s purpose. (CFI)

This is who we are today. We embrace a fast and furious approach to everything and criticize the results. From placing mobile food orders to providing subscribers with a mere minute to execute a successful Instagram (video) campaign – the faster we engage our viewers while applying visual transparency, the more likely we can succeed in delivering our message.

TIME-BOUND: Goals that are time-bound must have a sense of a start and finish date. What is it like today, what will it be like in the future? If the goal is not time constrained, there will be no sense of urgency or motivation to achieve the goal. What is causing the urgency for action? Are we in a position to answer or question? (CFI)

Perhaps one day it will be different, but for now artists and marketers must adapt to these swift modes of communication. Visual transparency will become the norm, then who knows what will be next…

END

Does using the SMART goal technique help you? I believe that it is a great stepping stone towards achieving a more clear and linear style of communication. Test it out!

Meanwhile, dear Alice is still falling…

down?

below?

towards?

76c60b704f37267d3082e8effe39302d

9 – Coming Down

I’m so tired, Daisy thought. You’re always tired, retorted Cherry. She was just sitting there, twiddling her thumbs, looking at her green shoes. She turned her head right, was there something there? She suddenly felt uncomfortable. Someone was watching them. They didn’t know who.

It’s time to pack, dear. The routine was the same every June. Alice from Wonderland would arrive to take Daisy home. Daisy couldn’t do it without help. It was a sad time for her. She was remembering the death of her mom, those last few cigarettes she had outside with her dad, in the snow. She was really angry Being because of Ben. He ruined her life, led her astray. She was an addict when she was with him.

Forget thinking about it, darling. Alice stroked Cherry’s hair, handing her a cheese and ham biscuit. This is ridiculous. I’m practically choking on this bread, it’s getting lodged in my throat! I can’t take it anymore! By then, their tears were flowing, ruining everything including a pink dress and a gigantic muumuu.

All of the pupils present today were busy writing down their answers. Not me. I’m just going to sit it. Read his brain. Oh shit, he’s looking. The girls looked away, frantically grabbing their miniature Navajo backpacks, matching, gifts from the Philippines and their Auntie Stella.

Daisy? Can you contribute something to this discussion we’re having? Her teacher was frustrated, but tried his best to be kind and patient. Daisy twitched her mouth. No, I don’t think I can. They could feel every single eye in the room blink. Then, 999,999 heads turned to look at her. What were they expecting? She wasn’t going to put on a show. And especially not in this muumuu. Do you have anything to say, young miss? Neither had enough bitcoins to argue. Clearing her throat, Miss Daisy stood up. Cherry budged in front, knocking her sister to the floor. I bought these with my own cash! Dreams, actually. It was Toys clearly. Can any one of you in the room debate that? We highly think naught. And with haste, they flipped their skirts and left the room.

Flying through the wind, Cherry grabbed her big sister’s hand. They were going to be just fine.

Meaningfulness

Editing could quite possibly be the treachery of writing! Overly edited content may tell readers, “This is not false.” On the other side, the raw construction of content is meaningful, but we should argue that the deliberate deconstruction of content to reveal a greater point of view (proper editing) more readily achieves the goals of an SEO/l or a communications strategy – to uphold popularity, relevance, authority and credibility and to distribute a message that is transparent, accurate and responsible.

C122F4BD-D35D-4EF5-AAFA-0AFAF1447EFD

This piece is inspired by a very popular surrealist painting, Ceci n’est pas une pipe by René Magritte. Ironically, my image overloads the viewer with elaborate messages (a commentary on keywords perhaps), whereas Magritte’s painting is a basic review of signified and signifier. Here’s some additional information taken from Wikipedia –

The Treachery of Images (French: La Trahison des images) is a 1929 painting by surrealist painter René Magritte.

The painting shows a pipe. Below it, Magritte painted, “Ceci n’est pas une pipe“, French for “This is not a pipe”.

The famous pipe. How people reproached me for it! And yet, could you stuff my pipe? No, it’s just a representation, is it not? So if I had written on my picture “This is a pipe”, I’d have been lying! (Magritte)

Do you enjoy the process of editing? How do you know when to stop and is this action directly related to the meaningfulness of a  message, because content becomes inherently closer to ‘an answer’ or ‘a reality’? Which one for you?

Katie

She loved the red glitter on her eyes. It was so thick and opaque. Looking into the mirror, she had to tippy-toe onto her Dr. Martens to see the details. It gave her a buzz – the satisfaction of seeing colour on her face. Kate patted down her hair, trying to ignore the grays.

There was a lot now. They came in from nowhere. Probably due to stress. Her mom-in-law. Lack of inspiration or something like that. Katie inhaled a deep breath while admiring herself. One more time, she thought. And then, she turned to exit the restroom.

Her dress was red too. Strolling through the children’s department, Katie saw something green. It was fabulous! Hyper-fantastic and surreal. She had to run towards it. A supreme, three-piece, pastel green, polyester suit. It was a suit of dreams.

Flared pants, minuscule vest, oddly-sized plastic buttons, and a blazer. The blazer. The lapels and the boning. That feeling she got when fresh clothes actually existed was drugs. Not street drugs, but visceral happiness-coated candy love.

Lime green market baskets. Apple-scented Jolly Ranchers. That sort of thing. Why in the world would you even need drugs, if you could find clothes like these? She didn’t know. It blew her mind. As she took the leisure suit to the till to pay, she was anxious, but she still smiled.

She opened her Celine wallet, removing the VISA card – personal purchase – she thought. I’m gonna make this work! Smiling and not evaluating an inch of the sales associate’s grin, Katie took the handles of her JC Penney bag and walked out. Into the world.

***The stores that have given me a sense of fashionable purpose growing up were JC Penney, Fairweather, Smart Set, Dalmys, Le Château, Mariposa, Jacobs, Westbeach, Au Coton, Aritzia, Nike, Winners, Eaton’s and Hudson’s Bay. Most have come and gone. Based on this subset, the champions have focused on a specified niche market, continual dedication through brand evolution and reduced pricing.

CONCLUSION

Time changes everything. How do we keep up (trend)? Stay relevant (worth)? Do you remember your favorite stores and brands? Are they still around? Have they become more or less ubiquitous over time? Why are the champions still in ‘power’ and how do you think they got there?

Welcome

Hi everyone!

What type of woman would you hire to help brand your business? What marketing skills should she hold? What type of sales personality will she have? Is she strong, independent and willing to change in order to meet and exceed current industry objectives?

collage (48)

Influence

Hi everyone!

We want to fit into the human experience, but in today’s digital condition, it can all seem very confusing. Let’s explore the idea of illusion and HOW it relates to social media marketing.

An illusion is a misrepresentation of a “real” sensory stimulus – that is, an interpretation that contradicts objective “reality” as defined by general agreement. For example: reach, likes, your interaction with a mirror or the selfie.

The psychological concept of illusion is defined as a process involving an interaction of logical and empirical considerations. Common usage suggests that an illusion is a discrepancy between one’s awareness and some stimulus.

Are you able to identify some LABELS OF ILLUSION used in social media today? Do the labels impart a lesser or greater influence in terms of how we see ourselves and others?

Case Study

Label:

She is in a bikini, showing the world her body. She is smiling, so she is happy with her appearance and comfortable in her own skin.

Hypothesis:

Influence, as opposed to reach, can extend beyond numbers/demographics and descriptors/psychographics.

Explanation:

Within our cultural/societal context, the labels identified in pink can impart a greater influence on ourselves and others. (Note: influence does not always have a positive effect/affect.) HOW? Cultural appropriation (in visual arts, to appropriate means to properly adopt, borrow, or recycle) effects/affects everyone using the same medium. Marshall Mcluhan, considered by many to be the first father and leading prophet of the electronic age (leaderu.com) argued that, “The medium is the message.” Therefore, the more people exploring similar labels influence more people and the message itself becomes more significant or important. WHY? Cultural integrity says that everybody is included and can be a part of the message. Support is shown by repeating labels within both our cultural/societal context and the content of our individual situations (message). (Note: again, support can have a positive or negative effect/affect.) The more we relate to one another, the greater influence can be.

Exploration:

What we want to know is – HOW then, can we substantiate, quantify (excellence) or qualify (perfection) the labels that we see across channels and platforms? You’ve probably come across messages proclaiming, “She just looks that way online, but in real life, she is miserable.” Or captions that comment, “That is just a flattering angle, I’m posing.” And, “She used filters to slim her waistline and to make it seem like she is wearing makeup.”

Within our cultural/societal context, the labels identified in red impart an even greater influence on ourselves and others. HOW? Cultural integrity causes a competitive sentiment which promotes unique content and more importantly, individuality. This brings us back to asking WHY? And, we can answer in the same way as above — cultural appropriation says that everybody can be included and is a part of the message. Support is shown by repeating labels (or opposing labels) within both our cultural/societal context and the content of our individual situations (message). The more we relate or contend with one another, the greater influence will be.

So, how can we discern true ownership in a digital condition riddled with illusion? 

Cultural appropriation: to explore further

Cultural integrity: to explore further

Effect: to explore further

Affect: to explore further

Strong values and ideas in branding are important. This is cultural appropriation + cultural integrity. Everyone can play a role because as a whole, we are impressing cultural/societal change and development for ourselves and for others. No matter WHAT the message is, it is being shared and released within a free, digital democracy and thus, the content we create and HOW it is transmuted becomes a message in and of itself.

Influence is an original, unbiased and rare phenomenon. It can create a streamlined effect in messaging (communication), which affects WHY we think.

The questions become:

WHY do we choose to direct the flow of creation, messaging and communication (our omnichannel experience)? To change the human experience? To change negative thought processes? As an outlet to comprehend the difference between analog and digital meaning? To explore our digital condition? To belong to a revolution? To simply participate?

To expand:

Use Digital Presence – A Business Model (exploring left and right-brained equalization through messaging/communication management)

Conclusion (for now):

Blox. Communications is always looking for ways to impact the greater picture. We are a POWER OF INFLUENCE and we want to ask: HOW can we influence positive change in the human experience psyche using a digital mind frame? Can our channels become more transparent if a few simple rules (i.e. questioning ASMR) or set practices (use of the selfie to elevate self-esteem, rather than self-image) were put into place? Can our platforms be used for something other than self-promotion? This competitive nature that we rarely talk about, it is happening and what is it serving us? Do we need to adopt digital minimalism? Studies show anxiety among youths has skyrocketed and Generation Z is suffering the consequence with increased cases of depression, attention deficit hyperactivity disorder (ADHD), impulsive disorder, problems with mental functioning, paranoia, and loneliness (adaa.org). Needless to say, our society is up to speed. We know this is going on, but WHAT are we going to do to change it?

Worry is a false attribute. That is the argument – that our involvement in the digital condition is impacting the human experience, our psyche, modes of thinking and ways of communicating messages. We can choose to negate the entire experience, or we can believe that change is already happening. And, for the better.

We don’t need physical collaboration. It occurs spontaneously through the power and magic of digital media. We are all potentially working together, depending on how you choose to see it.  Your perception is bold enough to see outside of regular composition. You can see more than the truth that the regular world presents to us. You see an ideal, an ideal that is off the grid and too good to conceive. So, it is a matter of comprehension. HOW will we bring the world together in our new digital condition? Can we teach youth HOW to go beyond apparent teachings? Can humankind collectively push the boundaries of medicine and science (through art and language), so that our human experience can be brought into a new time frame that will change the very aspects of our health and wellness?

Continue to imbue your force upon other forces. In this great way, wild things will occur. Changes guys, changes!

This journal (thesis development) is TBC. If you have any inquiries, please reach out – info@chonsfecanlas.com.

A Work in Progress

Hi everyone!

People wonder what I do, how I do it and why (golden circle). My blog provides answers to these questions.

To get you started, here is a profile and business model that I have been developing for BLOX/Blox. Communications.

As BLOX –

  1. I do writing, art and design.
  2. I do it for enjoyment, for education and for the development of my brain.
  3. My work targets a specific niche that caters to creative and technical authors, digital artists and designers who are innovative yet mainstream, and who work passionately and effectively in their particular domains.

As Blox. Communications –

  1. I do branding, marketing and sales.
  2. I do it for guidance, for learning and for the development of my ideal customer/source audience (1000 followers on Instagram by September 2020).
  3. My work targets a specific niche that caters to brand experts, marketers and digital specialists who are innovative yet mainstream, and who work passionately and efficiently in their particular domains.

I’m excited to share this information with you and welcome any comments.

Let’s start!

PROFILE

Blox is an artistic identity that was developed in the early 2000s. Since then, it has become a moniker for Chona’s creative + technical work embodying explorations of (a concept called) Digital Presence. She explores its relationship to topics surrounding the business and execution of art in digital marketing.

It is important to focus on our direct connection to customer needs, emotions and competitive environments. Selling is often an important feature and for success, we should present fluent work for customers to engage with.

As a creative director, Chona dreams of influencing the corporate landscape, impacting HOW and WHY companies use art in digital marketing applications. For the next year or so, she plans to either upgrade her educational background or find a permanent position with an agency open to art, growth and creation.

In order to breed success, I understand that I must learn the ins and outs of working in an ad environment, how to manage marketing clients and how to fit in with the demands of a competitive and ever-changing industry.

 BUSINESS MODEL

This business model creates objective goals for  my work as a digital specialist, social media/brand strategist and creative director focused on Digital Presence. I would like to create projects that incite wonder, plus change. I believe my experience and approach can create long-term impact for clients engaged with today’s latest digital platforms.

I will ask you this about your business:

  1. How did it all begin?
  2. What does your business need help with today?
  3. What is the spirit of your company?
  4. How can we improve your Digital Presence?

GOALS

a) To develop BRAND IDENTITY via transparent, accurate & responsible communication.
b) To promote GROWTH + ATTENTION using state of the art processes and techniques.
c) To cultivate COMPREHENSION of digital presence using a Simpler & Larger approach.

MISSION

Simpler & Larger – To produce work that is easily understood and done, so that businesses can consider a greater capacity.

VALUES

1. INTEGRITY is a choice of being honest; it encompasses consistent standards & ideas that impact a greater picture.
2. TRANSPARENCY is how actions are observable; it brings clarity & accuracy to communication where multiple parties are involved.
3. BELIEF is trust and confidence in our audience and work; it promotes the realities of the digital landscape through careful management of the creative process & its outcomes.

APPROACH

I approach my work with professionalism, courage and open-mindedness. I break it down this way –

I) Be professional; make a statement.
II) Have courage to make large moves; understand the difference between path and journey.
III) Be optimistic; express gratitude – open-mindedness can create a tidal wave effect.

FOCUSES

Communications
Strategy Development
Art Direction
Branding
Advertising
Promotions
Digital Marketing
Design
Research
Social Media
The Customer Journey
Creative Writing
Technical Writing
Campaign Creation
Content Creation
Sales
Adaptive Learning
Analytics
AI

This document is updated regularly, if you have any questions, please don’t hesitate to ask.

Digital Presence

Hi everyone! Let’s get right to it!

Digital  presence. As marketers, we want to talk about it. We want our clients to be aware, so they can be responsible for their own success. We want to give them a model to follow so that they can apply their ideas, optimize process and make streamlined business decisions more effectively. One way to understand how this can work, is to follow a simple model that outlines four core digital marketing services + concepts, working alongside a digital marketing strategy (Digital Presence Business Model).

Here’s a brief synopsis –

The Digital Presence Business Model simplifies the functionality of four core digital marketing services. When I developed this model for VanWhistle Media, the four core services used were – web development, social media management, SEO and branding. Following another model called Simpler & Larger, we connect the services to a few simple ideas as a way to keep a primary focus. Simpler & Larger is a basic notion that work should be easily understood and done, so that the business can consider a greater capacity. The harmony between concept and functionality makes it easier to apply the services each step of the way. And used together, the services become intact, stable and strong. Your brand’s core attributes will become more refined and you will begin to see fluidity and consistency throughout your total business approach.

image

The 4 core services and their core concepts are:

  1. Web Development – IDENTITY (analytical, logical, objective); left-brained; efficiency
  2. Social Media Management – IMAGE (intuitive, thoughtful, subjective); right-brained; passion
  3. Branding – CORE (central, definite, overall); heart; innovation
  4. Search Engine Optimization – FOOTPRINT (forward thinking, capacity, evolution); brain; mainstream

I am currently using a variation of this model to explore social media as a tool to establish/solidify brand strategy/identity. Using the brain, we can equalize the impressions we create based on our personalities and emotional predispositions. This is in development, but if you would like to hear more about it let me know! Also, check it out on my Instagram account – @chona_canlas.

Brand Names

Hi everyone! Branding is about consistency. Consistency in the words and language used to describe what you sell and do. Plus, if we can make personal connections to our messaging (visual communication), our audience will see better (think Visual Transparency).

Okay, let’s ride.

If your brand delivers quality products and/or services, creates exceptional digital exposure and aligns with your customers’ values, then we will begin to associate your brand with positivity (reciprocal awareness, ideology, experience, emotion etc.).

Wow, this website shows their products in a sensible order / the product descriptions are detailed and personalized / this makes me think of the wool bucket hats my Grandmother made / I want to contact the store right now to see if they have the hats in stock. And so on and so forth. The buyer’s process is attentive. What we need to ask is – is the seller’s process absolute?

Timing differs from various perspectives. In marketing sales, process and planning may not always be aligned. We need to find ways to guarantee customer conversion, but how can this be done?

Like the beautiful calico print top you wore when you were three or like the rain splattered window you peered out of on your way home from piano lessons, our audience develops brand identity in the same way we develop thought processes. Hup 2 3 4, hup 2 3. I would even argue that the buyer’s process is creative and the seller’s process is technical.

Can we then leverage creativity in a technical way to ensure customer conversion? Perhaps a topic for Kevin David!

For example, we (Sellers & Buyers) make the same, dedicated connections when observing a special life experience. Then, this can be observed through products and services. We recall brand names and in the long-term, we remember who you are for what you can bring to the table. Then, the name you have chosen to attach to your products and/or services will become synonymous and eventually engrained in time.

Time is of the essence and proves that business can have longevity! Seems really obvious, but it isn’t.

This is the importance of material and conceptual brand development (transparency) — when our audience can automatically associate a brand name with positive things, they become our friends for life! And that’s the brand speaking. This is the beginning of things of ‘internet of things’ (IOT) or one aspect of artificial intelligence (AI) – visual communication, visual transparency and straight-up old transparency.

Post brought to you by the McDonald’s and Tim Hortons billboards on McBride Ave (heading north). 

🙂